this text is entitled : A particular second reading of the history in the light of the theory of " heurs ".

The word "heur" is a word invented for this theory. Inspired by the word "humor", the word "heur" designes a fundamental metabolic function of the body. As every human being owns a sexual function, a nervous system, or a wakefulness function, each of them steers the behavior of any human being so that it is satisfied . It's a sort of internal drug that can put an individual to reach "happiness" or that can make him suffer if not regulated. So every individual is summed up by three physical factors that features his behavior : the intensities of his sexual heur, his emotive heur, and his nervous heur.

Before beginning it is necessary to understand indeed the notion of emotion used in this theory. In fact we could also call it "the emotional wakefulness": it is his system of defence that urges him to make sure the biggest possible safety. Such an individual is then attached to the values of the good, the peace, the society. It is his system of defence that must not be merged with the popular notion of emotion.
When we look in the current works of psychology, we find two sorts of definition for the word emotion:

Either it is the enjoyment, the sadness etc. For me it is rather a reaction to a victory or to a sexual defeat.

Either it is the fear, the stress. That is better, but it is always a reaction with regard to an outside danger.

You see that this popular notion of emotion is more a part of the sexual sphere of the individual. It has more to do with affective matters.
In this theory, I speak about the permanent wakefulness of the individual, which is the system which can activate this state of stress.
The more the emotive drug is present, the more she can create a state of important stress. It is this suffering which the individual absolutely wants to avoid by trying to go away at most from dangers.
This is a quite new definition of emotion. I practically think that individuals owning this emotive drug in high quantity are blue-eyed.

The sexual heur was the first one three heurs to have had an influence on the behavior of the individuals. It appeared among the first vertebrates of the submarine world and we call the spawn this period of sexual dependence which pushes the individual in search of a sexual partner with the aim of the reproduction.

The birth of the sexual dependence as to heur is situated at the time of the first mammals. The sexual cycle which was previously annual accelerated to become a permanent dependence and not periodic . That was translated by an increase of the dimorphisme between the male and the female.

The nervous heur is the third one of three that allows to reform all human behaviors. Exactly like the three fundamental colors can reform all colors. For example when you associate more nervous heur and more emotive heur, you can reach to a very proud behavior. If you associate more nervous behavior with more sexual behavior, you can reach some romantic behavior. If you associate a lot of the three heurs, you can reach to a so-called chivalrous behavior.
Naturally the quantity of each "heur" in the individuals is ruled by the processus of transformation and selection ( yes the darwin's one ), but this with the aim of the best living conditions of human beings and not by a simple balance of power that prevails at animals.
Practically, It is by its capacity to "master" ( purely sexual term) the previous problems that this sexual drug obtains right of citizenship, especially thanks to the relations that the sexual heur maintains with the members of the body in particular hands and muscles.
 

By looking for in the history the signs of the presence of heurs, we can establish periods when the sexual heur was predominate with regard to the heur emotive: Prehistory, Middle Ages and romantic era of the 18 th century. In the other periods it was the emotive heur which was predominate with regard to the sexual heur: Antiquity, revival and era with social dominance of after the first world war.

In this second reading of the history we shall speak about few individuals in particular but rather about the type of society to which they belonged.
We shall end either in a society with dominant emotive, where is present at most of the individuals the pride, the pride of the membership in a civilization, the claimed divine nearness of this society and all its members, or in a society with sexual dominant, the values of which are rejected by communities with dominant emotive or by the individuals with dominant emotive being a part of this community.

During all the prehistoric period, the individuals trying to assign a space deprived in their group put this last one in danger. The rising emotional wakefulness of all these individuals took into account this threat and marginalized the individual more strongly sexual by appropriating logical priorities on the resources considering their availability towards the interests of the group. We find it examples at the stony age where the best pieces of meat returned by the hunting were reserved for the wizard of the group. But this period, always in sexual dominant, also saw the blooming of the arts, that they are rupestral or of finery. And these individuals expressed constantly their submission in the supernatural strengths which they did not know.

With the Neolithic took place a revolution, it is a change of ascendancy of the sexual heur in favour of the heur emotive. The man stops being a hunter nomad to sedentarize and learn about the agriculture. It is the birth of cities and the debuts of the civilization.

This reorientation of a sexual heur dominance towards an emotive heur dominance reached its highlight in the antiquity where the emotive persons were for the key posts of the society and crushed strongly the sexual individuals and charged them all the problems. This period indeed marks the beginning of what we call the history. The antique Greek world put the foundations of the western civilization. They were conscious to belong to the same community, by opposition to the world of the "barbarians". This period is marked by the appearance of the towns to which citizens were very attached. This pride was accompanied with a big patriotism which we find at all the Roman historian's.

Their works are for the glory of " first one people of the earth". This antique period valued also letters, eloquence, big monuments, architecture. All the the tracks of beauty in this society of very emotive dominance were more valued while the humanism understood as a synonym of "sympathy" was not present in this community. For example, we know that the newborn children considered too weak by the old men were thrown in ravines. This community thus looked for a dynamics which it did not find due to the lack of technical knowledges that could improve the level a life. And the pride continued to rise, because it was the only opened way. The heraldic emblems are then born.

Every family or every body was equipped with signboards which represented it. The pride outbid the pride and the families, while agreeing on the fact of belonging to the same community, cast themselves arrogant glances. Like the Greeks and Sparta who formed two similar communities, but two different communities. The pride of the participation in one of both communities did not thus prevent a war with the other community, which would allow to deflate this pride. The war of the Peloponnese between the Greek towns and Sparta, not that it is wished, was led of itself. And it is under pretext to shoot down the arrogance of Peloponnesians that the Greeks declared them the war. But this war did not mark the end of the period of emotive dominance, this one lasted until was heard "the voice which shouts in the desert ", that of the first prophets.

While The emperor Constantin chooses the Christian religion begin the Middle Ages in Europe. It is the end of the Antiquity and the beginning of a period which is said to be dark, with the Christianity for only light, as long as the sympathy and humanism lauded serves. It is difficult to understand to what is due this change of polarity and the inversion of ascendancy between the sexual heur and the emotive heur. We can think that the accumulation of the Christian martyrs made press a moral responsibility on the emotive heur which made spend the baton to the sexual heur. Saint Augustine fixed the objectives of the Middle Ages by evoking two cities. The ground city of which it is necessary to throw back the properties and the heavenly city which it is necessary to look for.

The life of the Middle Ages was apparently more difficult than that of the antiquity. But it's still difficult to understand why this period was more cruel and why people were less well bloomed that in the antiquity. perhaps the more cold and weather did not helped. It is know that the twelve century was a galcial period. In this period, the infant mortality was high. In the thatched cottages of the rural world, the children were often born from several layers. The catholic authorities tried to make sacred the marriage bonds. This difficulty of the purge of customs is well represented by the Romanesque art which symbolizes the submission of the society of the Early Middle Ages to a terrible God. In time the Gothic art began to express the confident spirituality of a medieval society more strengthened glorifying the creator.

But the darkness were always present in this disturbed period. And the catholic authorities did not succeed in maintaining the flame which would allow to hold the medieval society. The crisis of the Protestantism is the mark of this breathlessness. And it is the beginning of the revival, that is a return in grace of the period of the antiquity. Those who the books of history call the "humanists" expressed a new morality for which the active commitment in the public life has so much value as could have the virtues of renunciation lauded by the Middle Ages.

As well as for the end of the antiquity, it is possible that this change of ascendancy in favour of the emotive heur is due to the moral responsibility of the darkness of the Middle Ages. Well oriented towards good values, this period of the revival looked for the beauty as had been looked for the good in the medieval time. The eloquence is revalued. Florentine painters who returned to the painting its former dignity and its highest good name are praised.

In all the arts, We turned away from the roads of the idealism to have eyes opened on the daily reality of the man, his body and the nature which surrounds him. We were interested in the art of the portrait, the baroque art is congealed in statics. To the theater, the grandiloquence of the speeches is the rule. The atrocity of the subjects reveals the orientation of the emotive heur to get itself an emotional shock to vaccinate itself, quite as we make it recently with the feast of Halloween.

In this period, we search for legendary countries and for paradises on Earth. We discover America which makes dream by its treasures. We admire Adam and Eve with melancholy, living in a garden where the time has no grip. The time of the lights will prolong this period of the revival with the period of the "lounges" where the beautiful speeches are for the honor. We also see in this period the effeminate style of the Rococo.

At this time, the critics of the lights period began to denounce the threats that made weigh the liberal individualism on the cohesion of the society. The bourgeoisie and the industrial development grew throughout the 18th and of the 19th century in favour of the change of ascendancy and perfectly took advantage in the revolutions of 18 ème century.

It is the 19th century which lived the implementation of the liberal society and the capitalism. The bourgeoisie is the main beneficiary of the economic enrichment. And it is from this bourgeoisie that often arise the romantic artists. The word romanticism makes reference to novels and to medieval tales. As says it Lessing: " night of the Middle Ages, be, but a radiant night of stars ". This romanticism excites the expression of the feelings against the reason of the lights. This period proclaims the meaninglessness of the reason and the size greatness of the instinct.

At the beginning of the 20th century, the bourgeoisie sees its highlights with "the beautiful period". This period sees the appearance of the science fiction, the advertising, the comic strip, the photography, the cinema. All the arts grow rich with the impressionism, the abstract art, the symbolism. But with the capitalism, we also see the rise of the nationalism and the imperialism with all these economic and financial rivalries which will lead to the first world war.

And it was the end of this period in sexual ascendancy. Two big anti-individualistic stones will fall on this adventure from 1917. The communism and the fascism carried the hatred of the bourgeois democracy and the liberalism. In Italy, it is the third period of nationalist ecstasy: after the Antiquity and the Revival, it is Risorgimento.

The Russian revolution of 1917 hopes to propagate the communism all over the world, but collides with the powerful western liberal block. And it is mainly on the way to manage the relations between capitalist and communist countries that these last ones will part and will turn around some against the others. Germany, Italy and Japan form an anti-Comintern pact whereas third international communist appoints the generic enemy under the term of "fascism". These two parties will be engaged a wild war during the second world war. But the western powers went out victorious of this conflict and even if they were too in emotive dominance, they within themselves let express sexual strengths as in May, 68 which had the material conditions necessary for their emancipation.