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In that way, RAKSHA MANCHAM denounces human beings, social groups, communities, people, nations, humanity and especially inhumanity... for what they did: 'bad' or 'wrong'.
RAKSHA MANCHAM's approach is political. It intends to make people think by themselves presenting the side effects of the industrial society and the criticizable facts in human history. No-one is protected as too many things are an object of judgement: genocides, ethnocides or culturcides *; torture, xenophobia, racism, political imprisonment, environmental destruction...
The music of RAKSHA MANCHAM is violent, aggressive. In fact, it is a view of the world, of life on Earth in the late XXth century in a nearly dead world. The music is based on a post-industrial dark view of life. The structure is tribal, the rythm is primitive because we must find primal rythms that exist in each person, deeply hidden by commercializating plans. And we use drums as a central element in our project because in numerous traditional cultures, drums are priviledged bound between man and the Spiritual or Sacred.
Dta -Wa-E, 1987
Concerning the conclusion of this subject, Raksha Mancham can only reinforce the Red Indian 'Prophecies' written by famous Red Indian leaders one or two centuries ago.